Arcade Fire Go Big at Madison Square Garden

A few years back, U2 used Arcade Fires recording of Wake Up to pump up arena crowds Rosetta Stone before they hit the stage. Last night, indie rocks number-one overachievers had the chutzpah to headline one of the worlds most famous arenas for the first of not one, but two concerts. To say they merely pulled it off would be to sell them short. Per usual for a band obsessed with integrity, Arcade Fire did it on their terms. Their Canadian pal Owen Pallett opened the show with odd, gorgeous songs for solo violin, digital loops, and percussion that made the cavernous space seem like a basement apartment. Then came labelmates and indie-rock vets Spoon, playing lean, minimalist rock that, like Arcade Fires, knew its history (watch their Late Night With Jimmy Fallon performance here). Britt Daniel rail-thin in white T-shirt and jeans, bandmates all in black yelped through a tight-wound set, conjuring whiffs of the Beatles on the piano-driven Dont Make Me a Target and classic Motown on You Got Yr. Cherry Bomb, which flexed a jaunty horn section.Check out photos from Arcade Fires big Madison Square Garden show.There was nothing minimalist about Cheap Rosetta Stone V3 Arcade Fire. Their backdrop was a double projection screen, one small and one large, covered in a dense mix that mashed up magnified and processed live images with other footage. The band, nine members strong, represented in their usual array of hipster street clothes, toting a couple truckloads of instruments, from guitars and violins to glockenspiel and accordion. But where, over the years, clubs and even theaters could barely contain the bands energy, sound, sweat, Madison Square Garden sold out, with the rear of the arena curtained off and the floor split into half general admission/half theater seating was a perfect fit.Go behind the recording of The Suburbs.Still, it was a little astonishing, like your little brother accepting the Nobel Prize. They opened with Ready to Start, the most riveting cut on The Suburbs Rosetta Stone Spanish V3 , released the day before. Rgine Chassagne pounded a set of drums in a silver cocktail dress like a miniature Sheila E, while her husband/bandleader Win Butler, a wan beanpole with an art-school tonsure, crooned about loneliness and about how to make art into commerce without either losing your soul or shortchanging yourself. Id rather be wrong, he declared, than to live in the shadow of your song.Rock roll summer:photos from the seasons biggest shows.No worry, dude: for all the usual comparisons to their heroes Bowie, Springsteen Arcade Fire stood in no ones shadow last night. The energy dipped on some of the new material, which often used solo voices, as opposed to the bands trademark group hollers, to probe the disconnectedness of suburbia. But the punked-out Month of May and Rgines Cheap Rosetta Stone V3 synth-poppy showcase Sprawl II (Mountains Beyond Mountains) made their mark in spite of being unfamiliar.

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